OLLI Writers' Group http://olliwriters.posterous.com Welcome to the online home of the OLLI Writers' Group of the Osher Lifelong Learning Institute at California State University, Monterey Bay. We envision a virtual space where we can share our work, expertise, creative criticism, and help support each other in our literary efforts. Just ask your instructor or OLLI director to add you as a contributor, and you will be able to post and comment here. posterous.com Tue, 26 Jan 2010 08:46:10 -0800 Any Writers Blues? by Pat Hanson 11_09 http://olliwriters.posterous.com/any-writers-blues-by-pat-hanson-1109 http://olliwriters.posterous.com/any-writers-blues-by-pat-hanson-1109

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Writers Blues – November 19_09.doc Download this file

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Every Writers Blues
Subtitle: Feel the Fears and Write Anyway.  

         “There’s something to be said about the humility and feeling exposed you’re going through,” Michael, the most erudite of member of my Thursday morning writing group said.
         “Great,” I replied, clutching my stomach and pretending to double over, “I can’t wait to figure that one out.”
         “Yeah, of course,” other friends replied, “just performance anxiety … it’s natural, it’ll be over soon.”

         Well, the public staging of my hardly fictionalized screenplay called ‘Hopelessly Heterosexual?’ that I’d started ten years ago is over, and yes the dreams about walking naked from the waist up into a junior high auditorium of teenagers, and serving a meal that recipients complained ‘didn’t have enough meat’ are over. As are some of the feelings of embarrassment at the dated theme of my story set in a Human Sexuality classroom in 1990, long before the Vagina Monologues, way before the issue of gay marriage was even an issue, much less it soon to become old news, before cable TV ran series as blatantly realistic as Fornification and True Blood.  It was an ‘old me’ that seeded this story and I wasn’t as enamored of her now as I was then. I found myself not liking much the Pat/Jackie that was eagerly searching for love but using sex as the vehicle to get there. I’d ‘shown’ her spiritual awakening through a love song at a concert (Time after Time) but people didn’t really get it.

         The fears I’d been having were only partially founded. The 12 actors and the sparse audience that sat through the two-hour reading told me they liked Jackie, they really did, and that the script moved (after page 30). Only that it wasn’t linear enough, was too explicit and they wanted ‘more fire’ between protagonists. My screenwriting teacher told me, as predicted that now was the time to let it sit, and then truly step away and fictionalize the story. She felt Jackie lacked discernment, that she felt she was god’s gift to sexual freedom, but in the process of her self-absorption she could have inadvertently destroyed a student’s life (Julie).  Now to fictionalize that and let it rip. Truth be known, I did a lot of work for more than a month on the screenplay, only to learn there was more work ahead. Rewrites are the name of the game in screenwriting and all writing guess.          But I feel burnt out.

         So I moved to my fourth major ‘deadline’ of the semester: a full book proposal on ‘Invisible Grandparenting,’ a concept I’d invented about how I write letters to a seven year old I can’t see and save them. I do that in order to heal the hole I feel in my heart when what feels like the rest of the world is going ‘goo-goo’ and ‘ga-ga’ over their grandchildren. I discovered there were more like me ‘out there’ and my writing group indeed said this was a powerful process, a place where my ‘voice’ needed to be heard.

         But even after last week, when that teacher and my critique group heralded the originality and palpable-ness of my letters, and suggested that I write an entire memoir of this situation in letters interspersed with my reflections, I still found myself waking every morning with weird dreams and anxiety. Is this a universal writer’s dilemma? Before the words even hit the page, do we worry about what people will think of them, their impact?
Think of us?

         So since deadlines work for me, and I’d set a two hour a day minimum of clear ‘at the computer’ writing on IG till Dec. 7th, I re-read the dozen or so Celeste letters I have written, and the ones that are merely outlines. I discovered there weren’t many ‘happy’ letters. Each told a story or taught a lesson like the recent ones about dying. But the process of one-way writing is half empty. If I go to the MPC production of Sleeping Beauty with some other children this weekend, merely imagining Celeste’s response will be difficult. Again a reminder of the poignant pain of invisibility, and what I we do with it.

         I also looked up some back writing I’d done in journals and essays about the ‘alternate’ way my motherhood story unveiled itself, about the struggles I’d survived but obviously not left behind: about recreational drug use, enabling, confronting addiction and finally then letting go. Old ghosts I thought I’d left behind about how I feel about the mothering I did and didn’t do, have recently been coming back to haunt me. This morning’s dream was about someone handing me a crumpled up blanket with a screaming baby at its center. I woke before I got handed the pacifier and bottle I’d screamed for as I asked for help.

         So, I envy writers like Stephen King, or Sue Monk Kidd, or Pat Conroy or Raymond Carver who can weave stories from their imagination. I know by now that Pat Hanson’s gift is about honesty and synthesizing learning from some experiences that have been part of her journey.  A poet or fiction impresario she is not. But do I, will I, take the time and apply the discipline to face some things again, publicly? Is this ‘Every Writers Blues?’

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http://files.posterous.com/user_profile_pics/308843/P_Hanson_Crone_sml.jpg http://posterous.com/users/37lqboP8eFlT Pat Hanson pathansoninvisblegrandparent Pat Hanson
Tue, 01 Dec 2009 12:46:00 -0800 DOWNS http://olliwriters.posterous.com/downs-5 http://olliwriters.posterous.com/downs-5

Just after first light, we were flown out to the southern edge of the Dam Tra’o Lake. We got our Cordon around the village quickly, without incident, and I established my Command Post (CP) on the edge of the hamlet in a clearing the size of a large living room rug. The National Police Field Force Platoon flew in and deployed. Soon, they’d assembled the villagers in a holding area a stone’s throw from my CP.

The Police had started their Search when a radio call sign I didn’t recognize asked me to secure and mark a one-ship landing zone for my “inbound visitors.” I hadn’t been told about any visitors, but the call could only have come from one of our helicopters, so I chose a harvested rice paddy nearby, and popped a smoke grenade on the stubble.  Soon a shiny, V.I.P.-type HUEY touched down, and out clambered four or five starched-fatigue field-grade officers from the First Cavalry Division Staff. As the HUEY took off, they gathered in a small cluster, looking nervously around, as if expecting the hedgerows to erupt in fire at any moment. Then a Major made a bee-line for a machinegun position on the cordon, to chat with the crew. When I saw him take up the prone position behind the machinegun, I imagined the chaos if all the others fanned out to wander around my perimeter doing the same. Desperate to limit the distraction, I invited them to my Command Post and started a quick briefing about what we were doing.

One helicopter-load was bad enough, but within minutes another unknown call sign asked for smoke on a secured Landing Zone, and soon I found myself with a dozen spiffy Field Grade officers from Division cluttering up my little command post.

A gregarious overweight guy from Logistics peppered me with questions about rations, while an Intelligence Major pumped me for information on where I thought the Fifth North Vietnamese Army Division had gotten to. A few ambled over to corner the radio operators. Of course the Pfc.’s -- awed by all the rank -- were too polite to insist on being left alone so they could devote their full attention to the radio. I felt a surge of resentment. My job was taking care of Company B, not hosting visitors. 

I had to find a way to get this crew of wanna-be combatants out of there. To change the subject I decided I’d call the S-3 back at UPLIFT.  I looked for my radio operator -- who was supposed to be no more than a few feet from me at all times – and saw that the brass had crowded him out of the clearing. Frustrated and cross, I barked:

"Downs!"

Before me, a synchronized field-grade swim team, in perfect unison, plunged face down into the dirt, hugging whatever cover they could find.  When the fifty or so villagers in the holding area witnessed that, they too hit the deck. At this point, Pfc. Tom Downs, radio handset in his outstretched hand, dutifully picked his way around the prostrated forms and hustled towards me. When he smirked, I got laughing so hard I nearly fell off the paddy dike.  Composing myself, I made my call to Battalion. Minutes after that, the muddied visitors must have figured it was time to move on, and they left the way they’d come. 

We never again got surprise visitors from Division. I always suspected the first group of staff warriors passed the word around headquarters:  “Don’t visit B Company, 1/50th Infantry! That wise-ass Captain makes fun of visitors from ‘higher.’” 

"For, while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it always must be heard. There isn't any other tale to tell, it's the only light we've got in all this darkness." -- James Baldwin, "Sonny's Blues."

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http://files.posterous.com/user_profile_pics/322359/IMG_5815.jpg http://posterous.com/users/37lAtzFisLgB Dick Guthrie Dick Guthrie Dick Guthrie
Tue, 01 Dec 2009 12:44:00 -0800 Welcome Home http://olliwriters.posterous.com/welcome-home-66 http://olliwriters.posterous.com/welcome-home-66

 

Around twenty-two hundred the waiter announces he needs to close the hospitality suite. Several men grab the ice chests, and thirty or more old soldiers file through the austere lobby enroute to the gazebo out by the swimming pool. The Command Post is reactivated, and in no time the Phoenix City, Alabama night air reeks of cheap cigar smoke.       

Reliving our time together in another hot, steamy part of the world, the Band of Brothers divides into small groups that form and dissolve and renew continuously. Men circulate from one huddle to the next, eavesdropping until they find a story they want to contribute to -- or one they just haven’t heard in a while. Those who’ve been to several reunions fall easily into conversation, but all remember how intimidating it was to come to their first one, so newcomers get a warm welcome. The noise level ebbs and flows, but never dies out. Some groups produce bursts of laughter at a funny anecdote, or hoots as one man joshes another. In more subdued cohorts, the story-teller may lose his voice as memory takes him to a place so sad his eyes tear up, and his throat constricts, choking off his words. Usually a nearby buddy will finish the account for him, getting out at last the painful story he’s been wanting to tell for over four decades.

I’m sitting with a couple of Lieutenants from B Company. I’ve just bummed yet another cigar from Thurman Pike, and I’m using his lighter to fire it up when, from behind me on the fringe, a loud voice drowns out most conversations:

          “Did I ever tell you the time the Cap’n tried to drown me?”

Oh… shit!  I don’t have to look to know it’s Richard Wilson.  He’s at his first reunion. Mutterings of disbelief come from some groups, but hearing an NCO call out an officer isn’t usual, and most of the men listen up.

“No, really, look! The Cap’n says: ‘Sarn’t Wilson, Get your ass down there and hook this cable up to the tow-pintle.’” His salvo draws sympathetic murmurs from the crowd, and there isn’t any doubt about just which Captain he’s talking about. Knowing I’m in trouble if I don’t get the initiative, I shout:

          “Hey wait a minute!”      

“Hell, yes,” he presses on, “And him?” Pointing my way, he asserts: “Used to be Captain of the West Point swim team!”  Wilson is warming up now… creative, loose with the facts. And the tactic seems to be working, as many around him are getting into his story. Righteous indignation drips from every word as he bellows:

          “Hell, we had 13-ton of Armored Personnel Carrier, sunk in water so deep you couldn’t see more than the top three feet of the antenna!” He holds out a hand, palm facing down, a yard above the cement.

“I dove down in there, water all muddy… couldn’t even see the APC, much less find the tow-pintle and hook into it. When I come up… he sends me right back down again!” 

Looking over my shoulder at him, I take a long pull on my can of tepid Budweiser. I’m playing catch-up now.

          “God Damnit, Sarn’t Wilson, what was your job?” He cocks his head to one side and scans the smiling faces -- to be sure everyone shares his amazement that the Cap’n should ask such an inane question.

“Cap’n, you know I was the Motor Sergeant,”

“Motor Sarn’t,” I press on, “let’s see now, s’posed to keep the vehicles running… right?”  He nods. 

“And… was that APC running?”

Running? Hell no it wasn’t running, Cap’n! It was in fifteen foot of water. How could it run?”

“OK. Now, and what was my job?”

          “Why… you were Company Commander, supposed to take care of me… and that’s what I’m talking about. Me not knowing how to swim, you were trying to drown me!”      

 “OK, stalled vehicle. So, I commanded the motor Sergeant to get it out of the water, and make it run.”

“Yeah, but Cap’n, I told you …” he stammered, still playing the crowd.

“OK, now; and who was it that finally got the cable hooked up?”

“Well… you did, Cap’n, but only after you tried to drown me.” Many roar with laughter, but he hesitates, apparently grasping for a fresh line of attack.

“Cap’n, you know… you’d better treat me right. I’ve got the goods on you.”

 “Wilson, what are you talking about now?”

“I’ve got evidence! Even before that time you tried to drown me, you tried to destroy my morals. I have documentary proof!”

“Oh, come on…”

“I have in my possession the official pass whereas you authorized Staff Sergeant Richard Wilson to go to Sin City in An Khe, Vietnam. It’s signed 27 September, 1967, by Richard P. Guthrie, Captain, Infantry, Commanding.” Howls of laughter reverberate from the two storey façade of the motel courtyard as, nose in the air, lips pursed, he pans the crowd triumphantly.

Now we’re getting somewhere. Wilson, Damnit! You should have been back at the Motor Pool, taking care of the vehicles, and now you admit… you confess you were off in the ville, chasing the honeys!”  The crowd hoots and roars.

Careful now, Cap’n, or everyone will know. I’m warning you, that pass you signed is going up, on the World… Wide… Web!”

Our faces distorted with mirth, Wilson and I jump to our feet as one, and thread our way through the crowd to come together in a bear hug that lasts.

“Welcome home, you crazy bastard,” I say softly, “I’m glad you finally made it to one of these.”

“Yeah,” he murmurs, “it’s good to be home, Cap’n. You know I’d follow you all the way to East Hell…Welcome Home.”

 

 

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http://files.posterous.com/user_profile_pics/322359/IMG_5815.jpg http://posterous.com/users/37lAtzFisLgB Dick Guthrie Dick Guthrie Dick Guthrie
Sat, 21 Nov 2009 21:38:28 -0800 Memories of Christmas http://olliwriters.posterous.com/memories-of-christmas-0 http://olliwriters.posterous.com/memories-of-christmas-0
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http://files.posterous.com/user_profile_pics/226157/IMG_7040.JPG http://posterous.com/users/36EYWYLTTRa9 Michael E. Reid Michael Michael E. Reid
Thu, 19 Nov 2009 21:33:32 -0800 After the Death - Part I: The Currency of Messges http://olliwriters.posterous.com/after-the-death-part-i-the-currency-of-messge http://olliwriters.posterous.com/after-the-death-part-i-the-currency-of-messge
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Thu, 19 Nov 2009 21:32:02 -0800 After the Death - Part II: Recalling the Ghost http://olliwriters.posterous.com/after-the-death-part-ii-recalling-the-ghost-0 http://olliwriters.posterous.com/after-the-death-part-ii-recalling-the-ghost-0
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Thu, 19 Nov 2009 21:29:11 -0800 After the Death - Part III: Mistaken Identity http://olliwriters.posterous.com/after-the-death-part-iii-mistaken-identity http://olliwriters.posterous.com/after-the-death-part-iii-mistaken-identity
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Thu, 29 Oct 2009 19:57:40 -0700 The New Normal http://olliwriters.posterous.com/the-new-normal-4 http://olliwriters.posterous.com/the-new-normal-4
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This is an essay about my continued search for employment and a "new normal" during the current global economic recession. 

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Thu, 29 Oct 2009 19:53:16 -0700 Fragged http://olliwriters.posterous.com/fragged-1 http://olliwriters.posterous.com/fragged-1
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This is an essay about being 50+ and unemployed in a rapidly changing world.

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Thu, 01 Oct 2009 12:31:00 -0700 Welcome! http://olliwriters.posterous.com/welcome-2609 http://olliwriters.posterous.com/welcome-2609

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Welcome to the online home of the OLLI Writers' Group of the Osher Lifelong Learning Institute at California State University, Monterey Bay.  We envision a virtual space where we can share our work, expertise, creative criticism, and help support each other in our literary efforts. Just ask your instructor or OLLI director to add you as a contributor, and you will be able to post and comment here.

The easiest way to add content is to simply email it to post@olliwriters.posterous.com (almost any file you attach to your email message - photos, documents, even audio and video files! - will be displayed in your post for everyone to see). More details about how to use this online resource an be found here: http://posterous.com/faq .

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